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Nominated for 3 Academy Awards and 3 Golden Globes, including Best Film - Musical o-r Comedy, The Phantom Of The Opera is one of the most discussed films of 2004. Taking the smash commercial success of Andrew Lloyd Webbers stage production to the big screen is no simple task, but long-time Hollywood director Joel Schumacher is a lot more than in a position to have the work done. He takes an otherwise badly published script minus the shock of a live concert no less and manages to thrill the audience with the visible aspects of a film primarily designed to rehash an effective stage musical. Identify further on our favorite partner wiki by visiting Everyone Should Have A Vehicle Alarm. The costumes and set are simply superb, and Art Director John Fenner Raiders Of The Lost Ark helps Schumacher come up with a fantastic creation thats well-worth a movie-goers time The Phantom Of The Opera centers around a strange character who dwells within the Paris Opera House, imbibing himself on-the music that emanates from above. Known as The Phantom Gerard Butler, he wears a to cover the ugly facial scars that have plagued him since birth. A musical genius, the phantom is infatuated with the opera, and when he falls in love with the style of a young chorus woman named Christine Emmy Rossum - The Day After Tomorrow 2004, Mystic River 2003, this love of the opera morphs into an overall passion. Close Window is a striking library for further about when to acknowledge it. The phantom offers Christine with one-on-one voice classes, while during his time, he terrorizes the opera house within an attempt to land his protg the operas major role. However, she is reunited with childhood buddy Raul Patrick Wilson, when Christine finally rises to that position, and the two commence a torrid love affair. Vengeful and jealous, the phantom kidnaps Christine and holds her prisoner in his underground lair, and Raul could be the only one who can save her Onscreen, The Phantom Of The Opera is weak by the requirements of the conventional film. The cast does its best to create the most of a screenplay peppered with firm debate - a software built to offer "the music of the night." The supposed magnetism between Raul and Christine is not really believable and non-existent. As such, the audience is forced into believing the phantom who, by comparison, is fairly charming in this performance could wind up playing second fiddle to a person who makes Al Gore appear animated. General, but, other aspects of the film replace with this flaw Based on Gaston Lerouxs 1925 book of-the same name, The Phantom Of The Opera loses a lot of its original side given the phantoms change from a frightening and mangled lunatic into a watered-down half-scarred/half-babe-magnet number filled with likeable features. But inevitably, that is the mark of an enduring franchise - its malleability in-the world of various types and the publics willingness to accept such changes. But arguably, the little changes in the original novels plot were necessary to achieve Lloyd Webbers goal of the melodramatic and stirring Broadway musical promising mass commercial appeal. In a year in which the Oscar nominations were mainly dominated by lower-budget, shock hit films such as Sideways, Million Dollar Baby, and Finding Neverland, The Phantom Of The Opera contains its own in several aspects given its pre-production status as a commercial success. To get a different interpretation, please consider peeping at http://www.purevolume.com/fastdrones05h/posts/9324336/Everyone+Must+Have+A+Car+Alarm. But those who have maybe not seen the stage model are unlikely to be won to the ranks of the franchises numerous lovers. My advice is to positively see the film if youve ever seen the stage performance or listened regularly to the soundtrack - otherwise, you could be unhappy. After all, no matter how good The Phantom Of The Opera equals the silver screen, there is reasons musicals arent the dominate genre in Hollywood. If you think any thing, you will seemingly hate to read about PureVolume™ Were Listening To You.